In literary texts, Paris green sometimes appears not as a mere pesticide or poison but as a distinctive pigment—a vivid, memorable color in its own right. For example, one work notes that “in America, the pigment is known as ‘Paris green,’ but it is not there used to any extent by painters” [1], emphasizing its identity as a color rather than merely as a toxic substance. Other instances pair Paris green with similarly named hues, as seen when it is listed alongside London purple—a detail so important that editors even corrected its capitalization to affirm its status as a color [2][3]. In technical descriptions, Paris green is mixed with other compounds (such as white lead and Prussian blue) to create specific shades [4], and it is compared with other greens like Scheele's Green to stress its rich covering power in applications like business vehicle finishes [5]. These examples demonstrate that, beyond its notoriety in pest control lore, Paris green retains a place in literature as a notable and evocative hue.