Literary authors often harness the evocative imagery of “iceberg” not only as a physical object but as an emblematic color—a palette of cool, crystalline blues and stark whites that conveys both beauty and emotional detachment. For instance, one author describes an iceberg “very bright and dazzling in the evening sun” so that it “looked like an enormous diamond, with the rainbow for the setting” [1], using light and prismatic effects to evoke an almost otherworldly hue that mirrors inner brilliance and frosty reserve. Similarly, in another work a character’s demeanor is likened to an iceberg—its cool, unyielding color suggesting both clarity and isolation [2]—while yet another narrative invokes the majestic and sublime chill of polar hues to intensify a scene’s stark, inevitable beauty [3]. In these examples, “iceberg” transcends its literal meaning, becoming a nuanced, color-driven metaphor for both the serene and the severe.