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Literary notes about effigy (AI summary)

The word “effigy” in literature is most often deployed as a tangible stand-in for abstract ideas or as a symbol loaded with cultural and political meaning. Authors use it to evoke the ritualistic mourning of figures or gods, as when an effigy is buried amid somber rites [1], or to convey acts of public dissent, seen in portrayals of individuals burned in effigy to express communal disapproval [2, 3]. In other contexts, effigies serve as surrogate embodiments of persons—ranging from the knightly form of a tomb monument [4, 5] to figures used in magical or sacrificial rites that transfer misfortune or invoke ancestral spirits [6, 7, 8]. Through these diverse applications, literature harnesses the power of an effigy to concretize the intangible, infusing narrative with layers of symbolic resonance and social commentary.
  1. At all events, we can hardly doubt that the Day of Blood witnessed the mourning for Attis over an effigy of him which was afterwards buried.
    — from The Golden Bough: A Study of Magic and Religion by James George Frazer
  2. He was also burned in effigy in the streets of Padua.
    — from Memoirs of Extraordinary Popular Delusions and the Madness of Crowds by Charles Mackay
  3. He was condemned to death as a heretic and sorcerer in 1661, and was burned in effigy in Rome by the common hangman.
    — from Memoirs of Extraordinary Popular Delusions and the Madness of Crowds by Charles Mackay
  4. I paused to contemplate a tomb on which lay the effigy of a knight in complete armor.
    — from The Sketch-Book of Geoffrey Crayon by Washington Irving
  5. This effigy is in white marble, and represents the knight in complete armor.
    — from The Sketch-Book of Geoffrey Crayon by Washington Irving
  6. We have seen, too, that at Leipsic a straw effigy of Death was shown to young wives to make them fruitful.
    — from The Golden Bough: A Study of Magic and Religion by James George Frazer
  7. The preceding evidence shows that the effigy of Death is often regarded with fear and treated with marks of hatred and abhorrence.
    — from The Golden Bough: A Study of Magic and Religion by James George Frazer
  8. It follows, therefore, that in these cases the effigy called Death must be an embodiment of the tree-spirit or spirit of vegetation.
    — from The Golden Bough: A Study of Magic and Religion by James George Frazer

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