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Literary notes about beguiling (AI summary)

Writers use the term "beguiling" to evoke a dual sense of allure and artful deception that can apply to physical appearance, character traits, natural settings, and even abstract concepts. It often conveys an invitation to be enchanted—whether through a captivating look, as in the portrayal of mesmerizing eyes [1], or through engaging behavior that renders a character charmingly persuasive [2, 3]. The word is equally at home in descriptions of nature and time, imbuing landscapes or moments with an almost hypnotic quality that distracts or comforts, as when a long day is lightened by the beguiling quality of sound or scenery [4, 5]. Such usage highlights literature’s frequent exploration of the fine line between genuine beauty and the subtle, sometimes deceptive, power of attraction.
  1. Her eyes were greeny-grey, and very beguiling.
    — from Some Experiences of an Irish R.M. by E. Oe. (Edith Oenone) Somerville
  2. I believed in her once myself—she had such beguiling ways, it was hard to disapprove of anything she said or did.
    — from At Last: A Novel by Marion Harland
  3. Is he not, ma'am, a most beguiling preacher?
    — from The Sheepfold and the Common; Or, Within and Without. Vol. 1 (of 2) by Timothy East
  4. Then I dance and wanton round To the lyre's beguiling sound; Or with gently-fanning wings Shade the minstrel while he sings:
    — from The Odes of Anacreon by Thomas Moore
  5. You soon realize that India is not beautiful; still there is an enchantment about it that is beguiling, and which does not pall.
    — from Following the Equator: A Journey Around the World by Mark Twain

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