In some literary passages, the term “desert” is employed not merely to denote a barren landscape but to evoke a distinctive sandy, dusty hue that colors both scene and sentiment. For instance, one work describes how natural foliage “gives that tint to desert and mountain” [1], blending the idea of an arid, muted palette with the majesty of the natural world. Similarly, another passage speaks of “desert‐dust” that dims an entire vista [2], suggesting a pervasive, weather-beaten tone that suffuses both the land and the mood. In these examples, the “color” desert becomes a poetic shorthand for the subdued, sunbaked tones of a vast, unyielding environment, merging visual description with thematic resonance.